Tuesday, August 09, 2005
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http://to.plugin.com.br/ Maria Tomaselli nasceu na Áustria, em Innsbruck, em 1941 e se mudou para o Brasil em 1965. Estudou pintura com Iberê Camargo; gravura com Danúbio Gonçalves, Anna Letycia Quadros, Eduardo Sued; escultura com Xico Stockinger. Participou do Mercadão das Artes em Porto Algre, da Oficina Guaianases em Olinda, do Atelier MAM em Porto Alegre e da Oficina 11; do Jornal Então,d´ESSA POA É BOA. Participa do Grupo AFLECHA.
7 comments:
porque a tok stok é muito cara
mas por que cadeira? tu estás cansada ou espera um grande amor?
parlare,parlare
assento,
parlare, parlamento
O dialogo e' com a audiencia ou estas sugerindo people make contact?
que nada, falo comigo mesma, mas, se alguém se intrometer, será bemvindo e respondido
In your last painting you do not have a chair but what it looks like uma arquibancada (bleachers). Is that for the peanut galery? :-))
I am wondering how "objective" vs "non-objective" your art is. I look for the spiritual in art (obviuosly i am not taking about religion but meaning and purpose) Can we appreciate your art without intuition? For Guggenheim non-classical art value was that it could transport the "believers" (in the art) into a realm of pure spirit ( i heard a critic saying so) and they are able to bypass some vexing social realitites whatever they might be. I just hope that when you talk to yourself no one is talking back :-)) I am not sure what you thinking when you did your last picture (I call it the "X-ray vision one" but I see several things, if i say what i see i tell more about myself than about the painting. I think i have more than just one question here.
In your last painting you do not have a chair but what it looks like uma arquibancada (bleachers). Is that for the peanut galery? :-))
I am wondering how "objective" vs "non-objective" your art is. I look for the spiritual in art (obviuosly i am not taking about religion but meaning and purpose) Can we appreciate your art without intuition? For Guggenheim non-classical art value was that it could transport the "believers" (in the art) into a realm of pure spirit ( i heard a critic saying so) and they are able to bypass some vexing social realitites whatever they might be. I just hope that when you talk to yourself no one is talking back :-)) I am not sure what you thinking when you did your last picture (I call it the "X-ray vision one" but I see several things, if i say what i see i tell more about myself than about the painting. I think i have more than just one question here.
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